A dream within a dream

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow-
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.
I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand-
How few! yet how they creep
Through my fingers to the deep,
While I weep- while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

Edgar Allan Poe

Bill Brandt photographs

I carry your heart with me

I carry your heart with me(i carry it in
my heart)i am never without it(anywhere
I go you go,my dear; and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it's you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than the soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart

I carry your heart(i carry it in my heart)

- E. E. Cummings

I Crave Your Mouth, Your Voice, Your Hair

DON'T GO FAR OFF, NOT EVEN FOR A DAY
Don't go far off, not even for a day, because --
because -- I don't know how to say it: a day is long
and I will be waiting for you, as in an empty station
when the trains are parked off somewhere else, asleep.

Don't leave me, even for an hour, because
then the little drops of anguish will all run together,
the smoke that roams looking for a home will drift
into me, choking my lost heart.

Oh, may your silhouette never dissolve on the beach;
may your eyelids never flutter into the empty distance.
Don't leave me for a second, my dearest,

because in that moment you'll have gone so far
I'll wander mazily over all the earth, asking,
Will you come back? Will you leave me here, dying?
Pablo Neruda

Abstract, Conceptual and Surreal Photography

The differences between abstract, conceptual and surreal photography are often hard to define, as in many cases images can include qualities of each genre. Although digital artworks often get confused over which genre they belong, abstract, surreal and conceptual photography are all different and have their own key elements and principles.
There is a fine line between conceptual and surreal photography, as sometimes it is hard to tell if the meaning behind the image was intended or not; the general rule is if the idea for the image was planned and has a clear and understandable meaning, then it is conceptual, but if there is no apparent meaning and the image portrays elements in an unrecognizable way, then it is surreal.

                                                          Abstract Photography

Abstract photography focuses on patterns, and is often taken in a very minimalist way. The image is free of concept and idea, which allows you to focus more on the texture, form and colour of the image. Abstract images are generally straight shots, but often use in camera techniques such as long exposures, shallow depth of field or macro to capture a part of the world we do not generally see.

Conceptual Photography

 

Conceptual photography is an image that is formulated off an idea or story, and the original concept is much more important than the image that portrays it. A prime example is advertising photography; where the image is trying to sell the 'idea' of the product. As conceptual photography is predominantly used in advertising, it is often taken in a clean, crisp and vibrant style, which may or may not be photoshopped. On general principle conceptual images blend and combine recognizable objects to create humorous or interesting compositions that have very distinct messages. Conceptual photography tends to get mixed up with surreal photography when the concept isn't believable or clear.

Surreal Photography

 

Surreal photography is defined as 'dreamlike' and portrays things that we wouldn't be able to see outside the realms of our subconscious mind. The meaning behind surreal artworks is left in the eyes of the viewer, as there isn't a specific concept that is depicted. Many surreal artists never have set ideas for their work, they just let the work transform as they create it. Photomanipulation is almost a necessity of surreal photography, as in order to be surreal, it has to not be something that could be seen in real life; textures and filters are often used to give a grungy, desaturated look, to give hint that the image is of something that is 'out of this world'.